The Queen

The Queen

‘The Queen’ – Ahmarnya Price

In her tower
All forlorn
A Queen, she stands
Looks to the land

Her heart
It longs to be reborn
Upon a breeze
To find release
From a life of solitude

Servitude
Dissolves in vision
As arms, they rise
To bless the skies

In the light
Of indecision
She grasps the door
And asks for more
And wakes into a world unknown

So many things she should have said
So many things she wanted to
So many things that she has seen
So many times she needed to

Collapse into the arms of peace to find
That she is kind

© Kacey Patrick 2004

The Queen

Revised and recorded by stringmansassy for Dragonfly (2004).

Nawar and Athar Duet

 

The “Nawar and Athar” Duet.
Performed by Nadia Sunde and Kacey Patrick.
From “The Dream of Zedkat Nabu”.

Performed at Woodfordia, Woodford Folk Festival: 28th – 31st December, 2012.

“The Dream of Zedkat Nabu”. This was the World Premiere of a new work devised by Linsey Pollak and performed by 4 wonderful singers – Kacey Patrick, Velvet Pesu, Jeunae Rogers and Nadia Sunde and 4 musicians triggering the calls of endangered animals by striking bamboo poles – Jessica Ainsworth, Fatima, Linsey Pollak and Zaia. This a Musical work with strong visuals – lighting design by Andrew Meadows and costume design by Velvet Pesu. The core of the piece is the sounds of the animals themselves. Evocative calls of endangered species that speak directly to us in a way that words cannot. It is a call to action. A call to save this planet from the impending crisis. This is The Dream of Zedkat Nabu. — at Woodford Folk Festival 2012/13. – filmed by the WFF video archiving team & edited by Robert Sneddon.

The Dream of Zedkat Nabu

Woodford Folk Festival 2012/13

“Zedkat Nabu dreamt that she was baking bread, and as she baked, water suddenly poured forth from her oven forming a great sea. As the sea rose, many and various animals tried to escape the growing deluge of water, crying out with their strange and exotic calls and cries. And on that sea, she came to see herself and her 3 sisters floating ……singing and floating ………..their voices joining those of the animals in a great chorus ……..a chorus of distress, but also of hope ……hope for survival. A chorus so haunting and beautiful that even the deluge of water paused to listen ………”
The Dream of Zedkat Nabu is a Universal story, both ancient and contemporary. It is a story of a world in peril, of species doomed for extinction.We join her dream at the moment of “The Great Chorus” ………the moment when the Great Flood pauses to listen ……….and know this ……….we are also in that story, and it is no dream. For it is time to sing together to create a Great Chorus that will for us too, turn back the waters of impending extinction.
The Dream of Zedkat Nabu was the World Premiere of a new work devised by Linsey Pollak and performed by 4 wonderful singers – Kacey Patrick, Velvet Pesu, Jeunae Rogers and Nadia Sunde and 4 musicians triggering the calls of endangered animals by striking bamboo poles – Jessica Ainsworth, Fatima, Linsey Pollak and Zaia. Lighting Design by Andrew Meadows. Costume and Set Design by Velvet Pesu.
This specially commissioned new work was performed over 4 nights (28th, 29th, 30th & 31st) on the Pond, next to the the Village Green at the Woodford Folk Festival 2012/13. At the core of this Musical work are the sounds of the animals themselves. Evocative calls of endangered species that speak directly to us in a way that words cannot. It is a call to action. A call to save this planet from the impending crisis. This is The Dream of Zedkat Nabu. 
Kacey Patrick in “The Dream of Zedkat Nabu”
Image by Jeff License – Tigermonkey Productions.
IMG_4249

What Would You Have Me Do / ‘Milonga’

I dance as though I’m dreaming
Our hearts are so revealing
My lips they long to speak it
The longing lies beneath it
Embarrassed eyes down-turning
So little said in yearning
As hearts and heads keep falling
Love seems to find its calling
To ask is this completeness
A feeling from the nearness
No more a love forsaken
A heart has been awakened
We seek and end to longing
What would you have me do
Love me so deep
‘Til light returns once more

Hearts lost in situation
Embraces long mistaken
Look to your eyes I find it
The knowing lies behind it
To cherish all remaining
A heart is not distaining
Flight to a place uncertain
But shame has drawn the curtain
True words are left unspoken
So many lying broken
While tears they keep on falling
Lives have divergent calling
We seek an end to longing
What would you have me do
Love me so deep
‘Til light returns once more

In time we cry to remember
The dream our hearts thought forever
The dream of passion together
As love finds time rewinding once again
Yearnings no longer forgotten
Our arms they reach for one embrace
What would you feel in a moment
If love was caught out of place

If hearts were lost and never found
What would you feel if you were near
What would you find, what would you fear
A heart still beats when love is broken and undone
‘Til light returns once more

I dance as though I’m drifting
I wonder what you’re thinking
A heart it seeks reason
When love discovers treason
Our bodies keep implying
The fear we keep denying
That love has been forsaken
No more to be awakened
New love is so revealing
In time it comes concealing
What could we find tomorrow
The joy, or pain and sorrow
When hearts they seek belonging
What would you have me do

What would you feel if you were near
What would you find, what would you fear
A heart still beats when love is broken and undone
‘Til light returns once more

© Kacey Patrick 2004
© Music: ‘Milonga’, Jorge Cardoso

Text written to ‘Milonga’ by Jorge Cardoso, as performed by The Saruzu Quartet.

PLAY  The Saruzu Quartet: ‘Milonga’

Tears of Joy

A storms draws near
It bears me down
Upon a field of green release me
And lightness comes
But answer this
How a heart can bear to hear a child’s prayer

This child of light
That bears the name
From a time of fear release me
And tears of joy will fall
So take my hand
And we’ll walk together towards the light to find
A new day has come

And tears will fall when it comes

What may befall, a ravaged land
A time may come, it’s close at hand
All life will cease to be the same
For all we’ve done we’ll feel ashamed

A child to hold is to believe
To give us hope, help us to breathe
To choose to live, to choose to change
To choose to fight and mend our ways

A child of light has entered here before
To guide and to prepare for what’s in store
So take my hand
And we’ll walk together towards the light to find
A new day has come

To strive to seek and not to yield
To strive to satisfy the needs
Of one so young, yet so unfurled
To all that’s said and all that’s heard

If to believe is to make you strong
Embrace a child and we’ll all move on

For all that’s come to pass and all that lies bereft before
Will centre on this moment like never …

For, if to believe is to make you strong
Embrace a child and we’ll all move on
In our embrace they will be the change
And we’ll find what’s lost and we’ll rearrange

And tears of joy will fall when it comes …

© Kacey Patrick 2012

Music © Aaron Hopper ‘Intense Spider’/Andrew Veivers ‘Noroeste’
Lyrics © Kacey Patrick ‘Tears of Joy’

This text began as lyrics to a work by The Saruzu Quartet – ‘Noroeste’.
It evolved into Tears of Joy and was performed for the first time by stringmansassy at the National Folk Festival (Canberra), Easter 2012.

The Sakura – For Taiji and Kayo

From this day a tree will grow
In a garden, where we’ll go
Each year to watch the blossoms bloom
And gather with our friends
And as this tree, it grows and spreads
It’s blossomed bowers overhead
We will look back on this day
To where it all began

We gather here with blessings
For the children of this garden

From this day, this tree and they
Will share this sacred ground

And we will watch with warmth and love
As these children grow

And evolve with all the magic, joys and sorrows
That abound

Taiji, Warrior of Peace
Child with great connection

To the natural world around you
We wish for evermore

That nature brings you nurture
That your journeys bring you all

The wonder and compassion
That life has in store

Kayo, Child of Fragrant World
Girls at life’s beginning
Whose light and conscious presence
Did radiate from the start 
We wish for you a life of love
Adventure and of learning
Of peace and magic, joy and dreams
And all that sets apart

From this day a tree will grow
In a garden, where we’ll go
Each year to watch the blossoms bloom
Remembering this day
And as this tree, it grows and spreads
It’s boughs and blossoms overhead
The children of this garden
Will sing and dance and play

© Kacey Patrick 2010

You Would Be Mine

Another place another time
I know you would be mine
Another space were we inclined
I know you would be mine
If to embrace to feel sublime
I know you would be mine
If to erase and leave behind
I know you would be mine this time

Like a tide against the shore
I retreat still wanting more
Where dampness soaks the sand, a desire it expands
Along the ebb and flow of seas
Where the waves crash over me
Every time we came to pass I cannot breathe

Like an apple from a tree
Enticed by gravity
To be caught within a hand and surrender to the man
Who could devour with a breath
All resistance I have left
Every time we come to pass I would be free

If there is more than one
For each and everyone
You would be one of those ones for me
If I could step outside
My current life
Surrender to igniting strife
I’d cross divides to realise
And actualise desires inside

Like a moth drawn through the night
Singe-ing wings in candlelight
I flutter in the wake of the ripples that you make
And treat with nonchalance and fear
The sense of you so near
Every time we come to pass I cannot breathe

Like the movement of a moon
With an orbit gone too soon
I revolve around and wait, in an state, as I anticipate
What madness it would be
If my will abandoned me
Every time we come to pass I would be free

Another place another time
I know you would be mine
Another space were we inclined
I know you would be mine
If to embrace to feel sublime
I know you would be mine
Another place we’d be entwined
And I know you would be mine

© Kacey Patrick 2012

Inspired by ‘Invocation’ from Beyond Words – Bobby McFerrin.

Invocation

Wollumbin / ‘Tyalgum Dawn’

In early morning light
In solitude it stands
A sentinel is proud
Above a subdued land

The catcher of the clouds
Swathed in morning mist
Unfurling from the landscape
Like spiders’ filament

Silhouettes of trees
Sit smudged against the scene
Their tendrils catch the creeping light
Then turn from grey to green

Breezes swirl, caressing
Vast undulating fields
Which ripple from the forest
That clothe this sentinel

As dawn’s first ray alights
Atop the mountain’s brow
Then refracts down through the forest
To hushed and sleepy towns

———

This is an undulating land
Formed in eons past
Its ancient rim, a remnant
Of molten rock and blast

And high above this valley
In forests thick and wise
Trees remain from ancient times
To stand and to remind

And there amongst the undergrowth
A chorus deep within
Resounds the call of early morn
Which echos down the stream

The first peoples, they know
The sacred in this place
The those who came thereafter
The heart within this space

If Wollumbin is the heart
The caldera is the arms
Embracing all who dwell here
In intoxicating charm

As Morning mists unfurl
And reveal a bounty grand
A sentinel stands proud
Above an ancient land

© Kacey Patrick 2011

Adapted and used as text for ‘Tyalgum Dawn : for soprano and string orchestra’, composed by Ann-Carr Boyd. Commissioned for the 20th Anniversary of the Tyalgum Festival of Classical Music, 2011. Performed by the Camerata of St John’s and Kacey Patrick (soprano).

Song For Delphi

Would you choose to swim or fly
Choose the water or the sky
Would you be a mermaid or an angel

Would you choose to keep control
Or to unleash what’s in your soul
Choose to question or to simply follow

Life revolves, we question why
We come to life then life flies by
Would you choose to live as an immortal

Or would you have a finite grace
A short existence in this place
Would you choose a finite time for pleasure

Do you prefer to find a place of peace and solitude
Would you choose to end your life one lonely night
Does your heart feel hope when sorrow beckons to the moon
Do you always fly with your decisions

Would you choose to play your part
And to unleash what’s in your heart
Would you find a path where truth is certain

Would you choose to live in fear or strive for all your can
Would you risk all that you had for freedom
Would you choose to be unkind to woman, child or man
Do you feel all lost in indecision

Would you choose to find a place
Where life revolves with simple grace
Would you choose to show your heart’s compassion

Would you choose to swim or fly
Choose the water or the sky
Would you be a mermaid or an angel……?

© Kacey Patrick 2003 (revised 2011)
For Delphi. And in memory of Melanie Shanahan, and the ‘boat people’ who have risked everything on their journey to Australia.

Music – Aaron Hopper/Kacey Patrick (stringmansassy)
Released on ‘Dragonfly’ 2004.

Song For Delphi (‘Dragonfly’ – stringmansassy, 2004)